180 rule #50

I tried to keep this rule when filming the scene during the conversation between the homeless man and the protagonist, so that it is clear that the two characters are conversing. To do this, I stayed on the right side of the conversation, and traded camera angles from the same side. 

To portray the relationship between these two, I incorporated the technique of high and low angles. In the current circumstances of the film, the homeless man is inferior to the protagonist, as he is poor and seemingly not able to help out the student due to his low intellect. Because of this, I filmed his dialogue from a high angle, as the protagonist's view, to show that he is looking down on him both literally and figuratively.

These angles would eventually switch in the movie, for example, in the future scene where the protagonist looks to him for help, he will look up to the homeless man as he then holds the superior role between the two.